How-to photography technique articles by professional photographer Philip Dunn

Read more about the article Street Photography – myth and fact
Pure Street Photography - there was no contact with the subjects in this Venice street. If the children knew I was there, they ignored me - I was just another tourist with a camera. The success of this type of photograph depends entirely on the photographer's positioning, framing and timing

Street Photography – myth and fact

Street Photography - myth and fact How do we unravel all this Street Photography myth and fact? Well, for a start, my personal definition of Street Photography is a very loose one. Beach, market place,…

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Read more about the article Good Picture Composition
PICTURE A Where does your eye go when you first look at this picture? There are clear triangle within this composition

Good Picture Composition

HOW CAN YOU IMPROVE YOUR PICTURE COMPOSITION? How to achieve good picture composition – the first thing to realise is that good picture composition does not have to be confined to landscape photography. All pictures,…

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Read more about the article Better Street Photography 1
One of Philip Dunn's earliest street photography images. A dirty, barefoot boy eats a biscuit while standing on the doorstep of his home with his mongrel dog. This picture was taken in the north of England in the 1970s with an Pentax camera - using film, of course

Better Street Photography 1

COULD YOU BE A STREET PHOTOGRAPHER? Could you master the art of street photography? Or are you self-conscious about pointing your camera at strangers? Nervous about carrying your gear around in public? Philip Dunn offers…

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Read more about the article Understanding Light – its quality
High quality light has no harsh, sharp edges on the shadows. It's soft and there is detail in those shadows - yet the light can still be directional as in theis picture taken in a potter's dusty studio. Photograph by Philip Dunn

Understanding Light – its quality

THE QUALITY OF LIGHT What’s all this about the quality of light? Philip Dunn shows you how to recognise good light - and improve it when it’s not so good. When asked to define the…

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Read more about the article Understanding Light – its direction
It's not just the old man's face and beard that brings impact to this portrait. I is the strong side light. That's what is emphasizing the texture of his skin. I deliberately positioned my subject beside a small window. Photography by Philip Dunn

Understanding Light – its direction

THE DIRECTION OF LIGHT Good light is the photographer’s most vital yet least understood ingredient. It’s more important than a whole bagful of expensive gear. Let's get to grips with the direction of light. Let’s…

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Read more about the article Mixed Light Photography
Philip Dunn's students get to grips with the technique of using mixed-light

Mixed Light Photography

HOW TO USE MIXED LIGHT Ever wondered how to create those wonderful atmospheric photographs where golden light from a house window streams into the cold, blue light of the street? You must have seen them…

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Read more about the article Photo Technique Articles
Mixing the high temperature blue light of early evening with the yellow of artificial tungsten light has added considerably to the atmosphere of this photograph taken for You Magazine

Photo Technique Articles

Photo Technique Articles The old PhotoActive website blog had a vast store of photo technique articles. I am starting here with a clean sheet - a new website, a new base here in Shropshire - and…

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